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Fruit Bats turn The Landfill into a beautiful place to leave old ghosts
Fruit Bats release The Landfill via Merge, bringing Eric D. Johnson’s warm indie-folk songwriting back into the Friday release conversation.
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Horse Lords demand heaven alive and make rhythm feel like a survival system
Horse Lords release Demand to Be Taken to Heaven Alive via Rvng Intl., turning experimental rock, repetition and polyrhythmic tension into a full-body argument.
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Baauer gives U a sharp new electronic shape
Baauer releases U via LuckyMe, a new electronic record that returns the producer to the release shelf with club pressure, internet history and restless sound design.
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CFCF lets L.U.V. glow like a soft electronic city after midnight
CFCF releases L.U.V. through BGM Solutions, adding another elegant electronic chapter to a catalogue built on atmosphere, melody and quiet motion.
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Kelsey Lu makes So Help Me God feel like sacred drama with a blade underneath
Kelsey Lu releases So Help Me God via Dirty Hit, bringing art-pop scale, experimental soul and spiritual intensity into one of the week’s most striking returns.
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Ruth Garbus lets Profound whisper until the room changes shape
Ruth Garbus releases Profound via Orindal, a delicate avant-folk and songwriter record that makes quietness feel strange, generous and alive.
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