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Rachael Denny lets Twilight and Dawn glow with folk magic and Oregon air
Rachael Denny releases Twilight and Dawn, a nature-rooted folk and fingerstyle-guitar collection full of acoustic warmth, mandolin colour and quiet mystery.
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Beth Orton rises through The Ground Above with self-produced grace and weathered light
Beth Orton releases The Ground Above via Partisan, a self-produced folktronica record shaped by live-room performances, grief, humour and melodic renewal.
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Tucker Zimmerman turns Dream Me a Dream into a happily untidy farewell
Pitchfork reviews Tucker Zimmerman’s Dream Me a Dream, a posthumous folk release that serves as an affecting coda to his Big Thief-assisted late-career return.
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John Prine returns to Old Town School and lets the jokes hold the sorrow together
Pitchfork reviews John Prine’s Live at Old Town School of Folk, an unedited 2010 concert recording from the Chicago institution where his folk journey began.
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Chafouin Orchestra turn folk, noise and anti-fascist energy into a crooked village parade
Chafouin Orchestra release their self-titled album on 21 June, a French avant-rock and folk-punk collective statement full of violin, sax, flute, accordion, vocals and joyful resistance.
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Catie Curtis gives C’mon Butterfly a warm second-life wingspan
Catie Curtis releases C’mon Butterfly, a folk and singer-songwriter album produced with Jamie Edwards and filled with transformation, connection and human-scale hope.
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