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ÉSZLELÉS make DZSANDZSIBANDZSI sound like Budapest noise-rock graffiti
Budapest’s ÉSZLELÉS release DZSANDZSIBANDZSI, a loud, jagged punk and noise-rock record tied to Hungary’s raw underground energy.
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Paper Monster lets One Mind dissolve into Birmingham dream-pop fog
Paper Monster releases One Mind, a Birmingham, Alabama dreamgaze single where ambient textures, indie pop and shoegaze float into one soft-focus shape.
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Tearstream 2 build a strange Manchester farewell out of drone, pop and half-understood language
Manchester project Tearstream 2 release their self-titled album, blending ambient, autotune, dark ambient, drone and pop into a farewell transmission.
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bvolso grows The Cornfields into Costa Rican art-rock tenderness
Costa Rica’s bvolso releases The Cornfields, a progressive art-rock and indie-rock piece about love, special places and emotional recognition.
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Racing To Red Lights make Trojan Whores feel like a math-rock argument with the walls
Edmonton’s Racing To Red Lights release Trojan Whores, a jagged alternative record mixing math rock, post-hardcore and space-rock tension.
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Crushed turn Just A Clown In The Clouds into a brutal little survival document
New York’s Crushed release Just A Clown In The Clouds, a raw nine-track album produced and mixed by Ben Greenberg and mastered by Josh Bonati.
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